Deer-woman I./ PULP, 2018

by Funda Studio

Painting : acrylic

138 x 123 x 5 cm 54.3 x 48.4 x 2 inch

$8,292

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Dimensions cm inch

138 x 123 x 5 cm 54.3 x 48.4 x 2 inch Height x Width x Depth

Framing

White cardboard

Artwork dimensions including frame

138.1 x 123.1 x 5.1 cm 54.4 x 48.5 x 2 inch


Tags

Nude

Portrait

Fantastic

Anthropomorphism

Deer

Human body

Women

Pulp Fiction

Beige

Sky blue

Artwork sold in perfect condition

Artwork location: Germany

Animal Spirits 3.0

This is a series of artworks in which i combine painting with collage technique, a continuation of Animal Spirits 1.0 & 2.0.-  in blow up format this time. It is a series which i have created during my Residency at the Cultural Academy of Tarabya in Istanbul. ( Goethe Institute) working with archive Materials and my own Imagination - the composition was made first with drawings and collage technique in order to find a harmonious structure. You can see very fine to very thick brush strokes and paint sticks.  Looking at it closely it seems very jumbled. however has structure when looking at the big picture/artwork.

Paper artworks responding to conception and starting point to a lengthy process and is still active in my artstudio, with the infinite possibility that inspires me to explore further compositions and will continue to work in this format , in  combination of my own imagination.

This particular artwork is framed in wood and white.    

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About the seller

Professional art gallery • Germany

Vetted Seller


Imagine it at home

Funda Studio, Deer-woman I./ PULP
Germany  • 1978

Presentation

Funda Özgünaydin studied fine arts at the Crawford College of Art and Design in Ireland and earned her diploma at the UDK, University of the Arts, Berlin. In 2014 she also became a master’s student with Dr. phil. Hito Steyerl.

Her work can be interpreted as a critical examination of current social structures and life courses. For this reason, she focuses on socio-political, ontological and existential questions in the context of the human condition in comparison to modern society and nature. In this sense, she is initially interested in hierarchical relationships and attitudes within social classes. On the other hand, she is looking for answers for a new perception on social progress and this change can be visually represented.

Funda demonstrates her belief in the deep connection between art and life.

The special features of her work can be seen in collage techniques and, as in the conceptual style, in hybrid structures.

Her characters are sometimes depicted as half-human, half-flower or half-human, half-animal, the synthesis of human, animal and plant. By highlighting the ecological importance of humanistic ideas, she criticizes the current state of the world. In her works, the artist searches directly for reality by wandering between paintings, sketches, screen printing and new media.

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